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SL3
29 x 29 cm
£ 500 instead of £600
Still life abstract collage. Derived from a table laid out with flowers and seed heads drying out. On sale as part of my artist support pledge. #collage and #mixedmedia on card mounted on board. 29x29cm
No Waiting (detail)
84 x 158cm
£ 6000
Layers of paint, washed off with turps and layered over. Painted on an old canvas addings its textures and shadows. Dating from 1992/3 it is exhibited at my gallery in France.
The Paps
100 x 150 cm
£ 6000
Painted at magical Port Ban, otters and eagles for company.
Sold
Irises, Millers Bay
30 x 40 cm
Wild irises by the burn running across the machair to the sea.
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The Sound of Jura
50 x 50 cm
Balevulin Bay
100 x 150 cm
£ 6000
Painted on a glorious day in what was a mixed week of weather on the blessed Isle of Tiree.
South across the Maze
75 x 122 cm
£ 3000
One of the world's best surfing beaches. Gingerly manoeuvred Bertha down through the Machair along old trails and was relieved and pleased to reach the Northern tip of the bay in one piece.
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Hough Bay
20 x 25 cm
My first painting on Tiree in 2023. Painted in the late evening looking out over the green swell to the Outer Hebrides fading gently into the grey.
Vaul
40 x 42 cm
£ 800
My last painting on Tiree for 2023. A grey wet unpromising day, it being my last on the island, I needed to make it count. Went up to Vaul, an astoundingly beautiful place with ancient ruined black houses showing off their remarkable masonry. A gorgeous bay. hinting at its brilliant colours hiding under the grey rain, a rusting seed drill warranting a closer look. Lazy Atlantic swell crumping onto the rocks. Corncrakes rasping on the machair.
Hebridean Blues
50 x 70 cm
£ 1400
Coral beaches, islets, islands and invisibly clear water. On a clear day the highlands and islands are heaven on earth.
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Arisaig Evening
20 x 20 cm
The Cold Grey Sound
26 x 36 cm
£ 600 instead of £750
A icy day on Kintyre, looking across the cold wind-swept Sound to the hints of Jura hiding in the low scudding clouds.
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Crear Beach
50 x 59 cm
Sunshine bringing out the colours of this rocky coastline leading into Cretshengan Bay.
Ring of Bright Water Study
26 x 36 cm
£ 700
My secret cove, otters and seals for company. A magical place, a Northerly blowing white horses down the Sound.
Jura, evening light.
22 x 34 cm
£ 700
Often at the end of the day, the light rewards those still outside with a dazzling show. This was really only the beginning of the end of the day with the sun reflecting off the sea in a thousand sparkles as it dropped down playing hide and seek among the scudding clouds.
Snow on the tops
70 x 100 cm
£ 1500 instead of £2000
This was a belter of a day in May. Icy Northerly wind, new snow on the Paps of Jura, bright dark water with white horses racing down the Sound. A day seized.
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Whale Rock
27 x 32 cm
This is a very pleasing lump that I call Whale Rock. Cold sea and surf, showers approaching in the grey evening sky. Painted at the end of day just before the rain arrived. When you love somewhere it’s beautiful in any weather.
Largo Bay
160 x 240 cm
£ 12000
The largest painting I have ever painted outside. A highlight for me of 2019.
Silverburn
89 x 116 cm
£ 3800
What a joy to paint on this vast expanse of sandy beach that is Largo Bay. Many memories of childhood here.
Inverary and Loch Fyne
89 x 116 cm
£ 2500
Painted during Landscape Artist of the Year. Oil on canvas, it was so wet that it should be a watercolour, painted under a parasol ! The iconic Vital Spark puffing away outside the harbour.
Loch Awe, 10pm
24 x 25 cm
£ 400 instead of £700
Painted at the end of a long day's working en plein air at Eredine on Loch Awe in the magical gloaming of the North west summer. Midges held a bay with a large outdoor citonella candle and generous doses of Jungle Juice. Oil on upcycled prepared card. Framed in an off-white bespoke frame under museum glass.
Black Rock
120 x 120 cm
£ 3000 instead of £4000
Looking out across the Forth to Edinburgh and the Lothians from Elie, my home from home. On display at Le château de Moiré
Window, 1992
31 x 24 cm
£ 600
A mixed media study which lead onto a large black abstract painting (in the Abstract Gallery), which I sometimes call Summer in Glasgow in fond memory of the cyclonic weather frequently enjoyed there.